Not queer like gay. Queer like, escaping definition. Queer like some sort of fluidity and limitlessness at once. Queer like a freedom too strange to be conquered. Queer like the fearlessness to imagine what love can look like…and pursue it. — Brandon Wint (via ethiopienne)
Armchair - Ludwig Mies van der Rohe
(Source: plusarchitekt, via peth)
“Never interrupt someone doing something you said couldn’t be done.”
Marcel Duchamp was born today in 1887. The title of this artwork is an instruction to the viewer: To Be Looked at (from the Other Side of the Glass) with One Eye, Close to, for Almost an Hour. The experience is said to produce a hallucinatory effect.
[Marcel Duchamp. To Be Looked at (from the Other Side of the Glass) with One Eye, Close to, for Almost an Hour. Buenos Aires 1918.]
MARCEL DUCHAMP (1887 - 1968)
Simone de Beauvoir & Jean-Paul Sartre Shooting a Gun in Their First Photo Together (1929)
Beauty Is Skin-deep—But That’s Where Genetic Engineering Is Going Next
A Korean woman was on the verge of divorce because her husband no longer found her attractive and was having an affair. Nothing worked in her efforts to save the marriage and as a last resort she underwent cosmetic surgery. The result was so dramatic and her son didn’t recognize her when she returned home.
Even more dramatic was her husband’s attitude towards his new “goddess”: no more mention of divorce, and he was now willing staying at home all the time! This seems to be a true story as the woman appeared on a TV show. Unfortunately the show is in Korean, but you can see many amazing “before-and-after” faces on this short video. The Korean plastic surgery industry has been a huge success in tapping into this fundamental human desire. And who does not love beauty? But of course the “beauty cure” is transitory. A popular joke is: How can a Korean groom know the real face of his bride? Answer: wait till the baby is born. On the other hand, the joke won’t work anymore if such “beauty” modifications begin to occur at the genetic level. Then it will be truly a long-term investment, avoiding the cost and possible surgical pain if future generations get the same idea as the Korean woman, and then turn to fundamental genetic alteration that will effect their progeny too! People who object to this may argue that we should learn to love what we have, or what we are born with. Indeed we should. But the natural attraction to beauty is universal and undeniable. How we look not only matters for marriage, but also for one’s job and social life. Academic studies have found that we are more likely to earn more and make more friends with good looks, especially for females.
So the market for good looks, or willingness to pay, has huge potential. As I argue in Chapter 9 of my book, the posthuman future should and will be driven, at least initially, by our most basic animal-like desires,simply because they are the strongest driver for most people. Since the divergence of skin color and facial features is a very recent phenomenon, we may look different but will be essentially the same person; thus, this step should be relatively easy and low risk, i.e., relatively free of unintended consequences.
But once we learn how to democratize movie-star looks through genetic engineering, will we be satisfied? Most likely not. As looks become less of a differentiator, we will appreciate other personal characteristics more, such as kindness and intelligence.
Now interventions to achieve those attributes is serious genetic engineering. And furthermore, at what I call the second stage of conscious evolution, we should even be able to modify our innate desires and preferences themselves, including aesthetic values. At that point, another concern about cosmetic genetic engineering will be addressed: we will no longer be satisfied with the same movie star looks. Humanity will diversify and flourish, sometimes beyond our recognition.
(via Beauty Is Skin-deep—But That’s Where Genetic Engineering Is Going Next)
You don’t have to tell me twice…
/Heads to strandbooks
(Source: pinterest.com, via bibliophilefiles)
Ivan Olinsky (1878 – 1962), Red-Headed Woman
Raoul Ubac, Nude Study, 1930s
(Source: last-picture-show, via focalgirl)
Vanitas - Leo Putz